Roy Lichtenstein and Damien Hirst each transformed the humble dot into a signature element that challenges perception. Lichtenstein’s Ben-Day dots mimic the look of printed comics, using color-filled dots to build shadow and form, making his pieces both vivid and thought-provoking in their nod to mass production. Hirst’s spots, arranged in precise grids, offer a contrasting approach: each spot uniquely colored and meticulously placed, creating a scientific yet lively order. Together, Lichtenstein’s dotted figures and Hirst’s colorful grids highlight how spots and dots can transcend simplicity, exploring themes of reproduction, observation, and the surprising depth in minimal forms.
